Some years ago I finally got around to reading Goodrick-Clarke’s The Occult Roots of Nazism: Secret Aryan Cults and their Influence on Nazi Ideology. Reading Goodrick-Clarke’s description of various forms of esotericism and mysticism in the late eighteenth and early nineteenth centuries, and specifically Blavatsky’s Theosophy movement, drove home the degree to which H.P. Lovecraft‘s writings — and, by extension, basically all modern horror — are a product of that milieu. Indeed, it isn’t much of a surprise that horror, fantasy, and science-fiction writers (and not a few conspiracy theorists) have been mashing up Lovecraft and Nazis for decades.
Daniel H. Nexon is a Professor at Georgetown University, with a joint appointment in the Department of Government and the School of Foreign Service. His academic work focuses on international-relations theory, power politics, empires and hegemony, and international order. He has also written on the relationship between popular culture and world politics.
He has held fellowships at Stanford University's Center for International Security and Cooperation and at the Ohio State University's Mershon Center for International Studies. During 2009-2010 he worked in the U.S. Department of Defense as a Council on Foreign Relations International Affairs Fellow. He was the lead editor of International Studies Quarterly from 2014-2018.
He is the author of The Struggle for Power in Early Modern Europe: Religious Conflict, Dynastic Empires, and International Change (Princeton University Press, 2009), which won the International Security Studies Section (ISSS) Best Book Award for 2010, and co-author of Exit from Hegemony: The Unraveling of the American Global Order (Oxford University Press, 2020). His articles have appeared in a lot of places. He is the founder of the The Duck of Minerva, and also blogs at Lawyers, Guns and Money.
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