One thing that Trump hasn’t done today yet (which he should have if he wants to stay in Putin’s good graces) was to congratulate Russians with Victory day. It’s an incredibly important holiday in contemporary Russia and its commemoration dynamic can help understand a large chunk of Russian foreign policy.
Usually when news about Russia makes it to American late night shows, Russia either gets hit by a meteorite, or it annexes part of a neighboring country. Either way, it is illustrated by Putin’s bare-chested photograph on a horse. This time, however, neither celestial bodies, nor Putin’s nipples were at stake. Several high-profile newspapers and The Daily Show with Trevor Noah reported on… an ice-skating dance routine.
‘Wife of Putin’s ally’ [putting aside the whole sexist tradition of defining a woman through her male companion] was widely criticized for her Holocaust-themed ice-dancing routine. Even though the press secretary of the Russian Federation of Jewish Communities said in a commentary that the story didn’t have anything to it and there was no reason to get upset over the dance, as the Holocaust has been used as a theme in many art projects. The champion ice-skater Tatyana Navka was also surprised at the negative reactions and insisted that the routine was done ‘to remind our children about that horrible time’.
No offence, American media, but you kind of live in a bubble that does not include Holocaust deniers and anti-Semitic crime. Oh, sorry, now you no longer do. Russia is a different story. Holocaust was never really a part of Russia’s collective memory. Most monuments erected during the Soviet era on the sites of Jewish massacres were dedicated to civilians while their Jewish identity was brushed over. Soviet troops liberated Auschwitz in 1945 and Soviet citizens knew about concentration camps, but the Jewish identity of the victims was downplayed. Through the works of Ilya Ehrenburg, Evgeny Yevtushenko or Vassily Grossmann some people were familiar with mass executions of Jews. But these works were far from mainstream and were a protest against Soviet governmental policy of hushing up the ‘final solution’. This is yet another example of ‘warped mourning’ over the victims of wars, famines, repressions and purges in Russia.